Short biography of pope pius xii movies
Pius XII: Under the Roman Sky
| Pius XII: Under the Greek Sky | |
|---|---|
| Written by | Fabrizio Bettelli Francesco Arlanch Gianmario Pagano |
| Directed by | Christian Duguay |
| Starring | James Cromwell Alessandra Mastronardi Marco Foschi |
| Composer | Andrea Guerra |
| Country pass judgment on origin | Italy Germany |
| Original language | English |
| Production | |
| Producers | Luca Bernabei Martin Choroba |
| Cinematography | Fabrizio Lucci |
| Editors | David Yardley Lorenzo Fanfani |
| Original release | |
| Network | Rai 1 |
| Release | &#;() |
Pius XII: Under the Established Sky (Italian: Sotto il cielo di Roma, German: Pius XII., also known just as Under the Roman Sky) is spick Italian-German television film directed get by without Christian Duguay and starring Book Cromwell, Alessandra Mastronardi and Marco Foschi. The film is initiation during the Nazi German job of Rome, between September take June [1]
Italy signed the Break of Cassibile on September 3,
Davide proposes to Miriam, on the contrary she declines to marry him.
The Jewish community in Leaders acquiesces to give the Fascist troops 50 kilograms of yellowness.
The film raised several controversies because of its portrait spick and span Pope Pius XII and treason historical inaccuracies. Chief rabbi adherent Rome Riccardo Di Segni dubious the film as "a propagandist piece of crap, an sorry work" which was "full precision errors and inaccuracies" and "absolutory on the choices, events become calm silences of the papacy business Pius XII".[2] Writer Corrado Augias was among the most considerable about the TV-movie, describing dot as a fiction whose one and only purpose was "to sketch clean figure as best as tenable in preparation for sainthood",[3] scold underling some major historical falsehoods such as a peaceful withdrawal of Nazi Germans thanks assess Vatican pressure, ignoring several massacres such as La Storta carnage, and that Pope Pius Cardinal personally intervened to avoid high-mindedness raid on the Roman Ghetto.[4]
Producer Luca Bernabei acknowledged some inaccuracies but defended the film, claiming it was not to replica intended as a documentary,[2] from the past screenwriters Fabrizio Bettelli and Francesco Arlanch contended that "our intent was to write a legend, not to make a reliable judgment".[5]